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Biomythography
Investigating biomythography as an interdisciplinary visual arts practice.
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Biomythography @ FAR Bazaar
Axis of Ego: When and Where I Enter
FAR Bazaar 2017 Alternative Art Fair & Art Collective Festival
Cerritos College
Installation Images
Artist: Chris Christion
 Axis of Ego: When & Where I EnterSite Visit |  Axis of Ego: When & Where I EnterSite Visit |  Axis of Ego: When & Where I EnterSite Visit |
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 Axis of Ego: When & Where I EnterSite Visit |  Axis of Ego: When & Where I Enter |  Axis of Ego: When & Where I EnterAxis of Ego 2017 Video Collage Runtime 9:24 |
 Axis of Ego: When & Where I Enter |  Mask #1 2017 15” x 8” x 4.5” Wood, video |  Axis of Ego: When & Where I EnterMask #1 2017 15” x 8” x 4.5” Wood, video |
 Axis of Ego: When & Where I EnterMask #1 2017 15” x 8” x 4.5” Wood, video |  Axis of Ego: When & Where I EnterPeep Game 2017 19” x 12.5” x 10” Wood, two-way mirror, video |  Axis of Ego: When & Where I EnterPeep Game 2017 19” x 12.5” x 10” Wood, two-way mirror, video |
 Axis of Ego: When & Where I EnterPeep Game 2017 19” x 12.5” x 10” Wood, two-way mirror, video |  Axis of Ego: When & Where I EnterPeep Game 2017 19” x 12.5” x 10” Wood, two-way mirror, video |  Axis of Ego: When & Where I EnterPeep Game (detail) 2017 19” x 12.5” x 10” Wood, two-way mirror, video |
 Axis of Ego: When & Where I Enter |  Axis of Ego: When & Where I Enter |  Axis of Ego: When & Where I EnterDr. Mabuse’s Office 2017 Wood, video, two-way mirror, media player |
 Reliquary #2 2017 13.75” x 12” x 3.5” Insurance: Wood, video |  Axis of Ego: When & Where I EnterReliquary #2 2017 13.75” x 12” x 3.5” Insurance: Wood, video |  Axis of Ego: When & Where I EnterReliquary #1 2017 9.25” x 19.5” x 9.25” Wood, video, magnifying glass |
 Axis of Ego: When & Where I EnterReliquary #1 2017 9.25” x 19.5” x 9.25” Wood, video, magnifying glass |  Axis of Ego: When & Where I EnterReliquary #1 (detail) 2017 9.25” x 19.5” x 9.25” Wood, video, magnifying glass |  Axis of Ego: When & Where I EnterSpecimen #2 2017 50.5” x 13” x 13” Mixed media |
 Axis of Ego: When & Where I EnterSpecimen #2 2017 50.5” x 13” x 13” Mixed media |  Axis of Ego: When & Where I EnterSpecimen #2 2017 50.5” x 13” x 13” Mixed media |  Axis of Ego: When & Where I EnterMask#2 2017 Wood, acrylic, video 15” x 5” x 4” |
 Axis of Ego: When & Where I Enter |  Axis of Ego: When & Where I EnterMask#2 (detail) 2017 Wood, acrylic, video 15” x 5” x 4” |  Axis of Ego: When & Where I Enter |
 Axis of Ego: When & Where I EnterSpaceViewer 2017 46” x 24.5” x 24.5” Video, pedestal |  Axis of Ego: When & Where I EnterSpaceViewer (detail) 2017 46” x 24.5” x 24.5” Video, pedestal |  Axis of Ego: When & Where I EnterSpaceViewer (detail) 2017 46” x 24.5” x 24.5” Video, pedestal |
Biomythography:
Currency Exchange
East Gallery, Claremont Graduate University
Installation Images
Photo Credit: Todd Sharp
Artist Include: Guillermo Bert, Audrey Chan, Christian Salablanca Diaz, Mimian Hsu, Albert Lopez Jr., Marton Robinson, Javier Estaban Calvo Sandi, and Glen Wilson
 Biomythography: Currency ExchangeExhibition view, East Gallery Claremont Graduate University |  Biomythography: Currency ExchangeFrom left to right: Mimian Hsu, Javier Estaban Calvo Sandi, Glen Wilson, Marton Robinson |  Exhibition viewFrom left to right: Mimian Hsu, Javier Estaban Calvo Sandi, |
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 Mimian HsuAutorretratoabstractofigurativo3b, 2014 19 x 12 inches each Print on paper |  Javier Estaban Calvo SandiTitulo: 3 calaveras Performance 101 x 67 cm Galería Vermelho 2011 |  Glen WilsonBroken Record, 2016 24 x 24 in. Print on cintra |
 Glen WilsonBroken Record, 2016 24 x 24 in. Print on cintra |  Glen WilsonBroken Record, 2016 24 x 24 in. Print on cintra |  Biomythography: Currency ExchangeExhibition view, East Gallery Claremont Graduate University |
 Marton RobinsonUntitled, 2016 10 x 8ft Chalkboard paint and chalk |  Marton RobinsonDetail, Untitled, 2016 10 x 8ft Chalkboard paint and chalk |  Marton RobinsonDetail, Untitled, 2016 10 x 8ft Chalkboard paint and chalk |
 Biomythography: Currency ExchangeFrom left to right: Marton Robinson, Guillermo Bert, Audrey Chan, Glen Wilson |  Guillermo BertLatino Diaspora #1, 2016 Mixed media on Plexi with laser cutting. 36" H x 32" W |  Guillermo BertDetail,Latino Diaspora #1, 2016 Mixed media on Plexi with laser cutting. 36" H x 32" W |
 Exhibition viewFrom left to right: Guillermo Bert, Audrey Chan |  Audrey ChanThe Mutual Dowry Between the Pigeon and the Snail, 2016 Gouache on Fabbriano paper and birch panels Dimensions variable |  Biomythography: Currency ExchangeFrom left to right: Glen Wilson, Marton Robinson, Audrey Chan, Guillermo Bert, Albert Lopez Jr. |
 Albert Lopez Jr.Beast Mode, 2016 Tissue paper, wood plastic, and Canvas 81.5” x 10” |  Biomythography: Currency ExchangeLeft: Albert Lopez Jr., Center: Christian Salablanca, Right: Audrey Chan |  Audrey ChanThe Mutual Dowry Between the Pigeon and the Snail, 2016 Gouache on Fabbriano paper and birch panels Dimensions variable |
 Biomythography: Currency ExchangeCenter: Albert Lopez Jr., Right: Christian Salablanca, Left: Audrey Chan |
East Gallery
Biomythography:
Currency Exchange
Peggy Phelps Gallery, Claremont Graduate University
Installation Images
Photo Credit: Todd Sharp
Artist Include: Christian Salablanca Diaz, Chuck Feesago, Elisa Bergel Melo, Kim Morris
Peggy Phelps II
 Biomythography: Currency ExchangeExhibition view: Peggy Phelps Gallery |  Elisa Bergel MeloI return/I remember, 2014 Digital photo/ video 5:03 Dimensions variable |  Biomythography: Currency ExchangeFrom left to right: Kimberly Morris, Christian Salablanca, Elisa Bergel Melo |
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 Exhibition ViewFrom left to right: Kimberly Morris, Christian Salablanca, |  Kimberly MorrisBurden of Proof, 2016 Hair, synthetic hair, metal clips Dimensions variable |  Kimberly MorrisDetail,Burden of Proof, 2016 Hair, synthetic hair, metal clips Dimensions variable |
 Kimberly MorrisDetail,Burden of Proof, 2016 Hair, synthetic hair, metal clips Dimensions variable |  Exhibition viewPeggy Phelps Gallery |  Exhibition viewDetail, La fotografia de un ser querido (a photograph of a loved one), Block of photographic print in black and white 8.5” x 11” |
 Christian SalablancaDetail, La fotografia de un ser querido (a photograph of a loved one), Block of photographic print in black and white 8.5” x 11” |  Christian SalablancaDetail, La fotografia de un ser querido (a photograph of a loved one), Block of photographic print in black and white 8.5” x 11” |  Chuck FeesagoFILTER, 2016 Mixed Media installation Dimensions Variable |
Eastside International
Biomythography:
Currency
Eastside International
Installation Images
Artist Include: Albert Lopez Jr. , Glen Wilson, Marton Robinson
 |  Albert Lopez jr.Death of Apollo Creed, 1985, 2009, 2015 |  Albert Lopez jr.Death of Apollo Creed, 1985, 2009, 2015 |
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 Albert Lopez jr.Death of Apollo Creed, 1985, 2009, 2015 |  Albert Lopez jr.Death of Apollo Creed, 1985, 2009, 2015 |  Albert Lopez jr.Death of Apollo Creed, 1985, 2009, 2015 |
 Albert Lopez jr.Death of Apollo Creed, 1985, 2009, 2015 |  |  Glen Wilsonworks from "Gatekeeping" Series (2015) |
 Glen Wilsonworks from "Gatekeeping" Series (2015) |  Glen Wilsonworks from "Gatekeeping" Series (2015) |  Glen Wilsonworks from "Gatekeeping" Series (2015) |
 Glen Wilsonworks from "Gatekeeping" Series (2015) |  Glen Wilsonworks from "Gatekeeping" Series (2015) |  Marton Robinsonworks from "Money Talks" series (2014) |
 Marton Robinsonworks from "Money Talks" series (2014) |  Marton Robinsonworks from "Money Talks" series (2014) |  Marton Robinsonworks from "Money Talks" series (2014) |
 Marton Robinsonworks from "Money Talks" series (2014) |  Marton Robinsonworks from "Money Talks" series (2014) |  Marton Robinsonworks from "Money Talks" series (2014) |
 Marton RobinsonSin Nombre, 2014 6.14 x 2.6 inches. print over a paper from "Money Talks" series |  Marton Robinsonworks from "Money Talks" series (2014) |  Marton Robinsonprinting plate from "Money Talks" series (2014) |
William Roaland
Biomythography:
Secret Poetry & Hidden Angers
William Rolland Gallery of Fine Art, California Lutheran University
Installation Images
Artist Include: Zenia Baltagi, Crystal Z. Campbell ,Chris Christion, Kenyatta A.C. Hinkle, Abdul Mazid, Dan Taulapapa McMullin, Thinh Nguyen, Juliana Paciulli, Glynnis Reed, Rachelle Rojany, Yoshie Sakai, Monica Sandoval, and Jessica Wimbley
 Installation viewBiomythography: Secret Poetry & Hidden Angers at William Rolland Gallery of Fine Art, California Lutheran University |  Installation ViewBiomythography: Secret Poetry & Hidden Angers at William Rolland Gallery of Fine Art, California Lutheran University |  Installation viewBiomythography: Secret Poetry & Hidden Angers at William Rolland Gallery of Fine Art, California Lutheran University |
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 Installation viewBiomythography: Secret Poetry & Hidden Angers at William Rolland Gallery of Fine Art, California Lutheran University |  The William Rolland Gallery of FineBiomythography: Secret Poetry & Hidden Angers at William Rolland Gallery of Fine Art, California Lutheran University |  The William Rolland Gallery of FineBiomythography: Secret Poetry & Hidden Angers at William Rolland Gallery of Fine Art, California Lutheran University |
 White Out History, 2015Thinh Nguyen White Out History, 2015 performance Biomythography: Secret Poetry & Hidden Angers at William Rolland Gallery of Fine Art, California Lutheran University |  Detail, So You're Married.....Yoshie Sakai So You're Married....Now What?!, 2015 Installation, dimensions variable. |  So You're Married....Now What?!Yoshie Sakai So You're Married....Now What?!, 2015 Installation, dimensions variable. |
 Detail, So You're Married.....Yoshie Sakai So You're Married....Now What?!, 2015 Installation, dimensions variable. |  100 Tiki Notes, 2015Dan Taulapapa McMullin 100 Tiki Notes, 2015 Ink on paper Dimensions variable. |  Tiki Notes, a work in progressDan Taulapapa McMullin Tiki Notes, a work in progress, 2015 Video, 42:00 min. |
 Detail, 100 Tiki Notes, 2015Dan Taulapapa McMullin 100 Tiki Notes, 2015 Ink on paper Dimensions variable. |  Detail, The Kentifrican TransmigrantKenyatta A. C. Hinkle The Kentifrican Transmigrant aka The things she carried Garment on loan from the Kentifrican Museum of Culture, Detail Biomythography: Secret Poetry and Hidden Angers |  Detail, The Kentifrican TransmigrantKenyatta A. C. Hinkle The Kentifrican Transmigrant aka The things she carried Garment on loan from the Kentifrican Museum of Culture, Detail Biomythography: Secret Poetry and Hidden Angers |
 Detail, The Kentifrican TransmigrantKenyatta A. C. Hinkle The Kentifrican Transmigrant aka The things she carried Garment on loan from the Kentifrican Museum of Culture, Detail Biomythography: Secret Poetry and Hidden Angers |  Installation ViewKenyatta A. C. Hinkle The Kentifrican Transmigrant aka The things she carried Garment on loan from the Kentifrican Museum of Culture, Detail Biomythography: Secret Poetry and Hidden Angers |  Detail إحياء Ehya’a Path to WreckageZenia Baltagi إحياء Ehya’a Path to Wreckage, 2014 Detail Biomythography: Secret Poetry and Hidden Angers |
 The William Rolland Gallery of FineZenia Baltagi إحياء Ehya’a Path to Wreckage, 2014 Detail Biomythography: Secret Poetry and Hidden Angers |  The William Rolland Gallery of Fine |  In Spite of Their Defeat, 2012Juliana Paciulli In Spite of Their Defeat, 2012 Installation view |
 Detail, In Spite of Their DefeatJuliana Paciulli In Spite of Their Defeat, 2012 Installation view |  Detail, In Spite of Their DefeatJuliana Paciulli In Spite of Their Defeat, 2012 Installation view |  The William Rolland Gallery of FineAbdul Mazid Untitled, 2013 Flight School, 2013 Installation view |
 Abdul Mazid, Flight School detailAbdul Mazid Untitled, 2013 Flight School, 2013 Installation view |  The William Rolland Gallery of FineAbdul Mazid Untitled, 2013 Flight School, 2013 Installation view |  The William Rolland Gallery of FineAbdul Mazid Untitled, 2013 Flight School, 2013 Installation view |
 The William Rolland Gallery of FineGlynnis Reed No One Else, 2011 24" x 36" Digital Photo Collage, Archival Pigment Print |  The William Rolland Gallery of Fine |  The William Rolland Gallery of Fine |
 The Beginning of Religious FeelingRachelle Rojany The Beginning of Religious Feeling, 2013 Biomythography: Secret Poetry and Hidden Angers |  The Beginning of Religious FeelingRachelle Rojany The Beginning of Religious Feeling, 2013 Biomythography: Secret Poetry and Hidden Angers |  The Beginning of Religious FeelingRachelle Rojany The Beginning of Religious Feeling, 2013 Biomythography: Secret Poetry and Hidden Angers |
 Detail, The Right of Chastisement..Chris Christion The Right of Chastisement: Punish the Body and Correct the Soul, 2014 |  Detail, The Right of Chastisement..Chris Christion The Right of Chastisement: Punish the Body and Correct the Soul, 2014 |  Witness (05:07 minutes), 2010-2011Crystal Z. Campbell Witness (05:07 minutes), 2010-2011 Biomythography: Secret Poetry and Hidden Angers |
 Their ears were listening to GodJessica Wimbley Their ears were listening to God, 2012 24 x 48 in. Digital collage, c-print |  Their ears were listening to GodJessica Wimbley Their ears were listening to God, 2012 24 x 48 in. Digital collage, c-print |  Good Things Come in Small PackagesMonica Sandoval Good Things Come in Small Packages, 2015 Print on paper Dimensions variable. |
 Good Things Come in Small PackagesMonica Sandoval Detail, Good Things Come in Small Packages, 2015 Print on paper Dimensions variable. |  I am Pretty, 2013Monica Sandoval I am Pretty, 2013 Video |
Biomythography:
Secret Poetry & Hidden Angers
East Gallery, Claremont Graduate University
Installation Images
Artist Include: Kenyatta A.C. Hinkle, Dan Taulapapa McMullin, Thinh Nguyen, Juliana Paciulli, Rachelle Rojany, Yoshie Sakai, and Monica Sandoval.
East Gallery Installation Images
 East Gallery Installation ViewYoshie Sakai Koko's Love, 2014 Installation view Biomythography: Secret Poetry and Hidden Angers |  East Gallery Installation ViewYoshie Sakai Koko's Love, 2014 Biomythography: Secret Poetry and Hidden Angers |  East Gallery Installation ViewYoshie Sakai Koko's Love, 2014 Installation view Biomythography: Secret Poetry and Hidden Angers |
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 East Gallery Installation ViewBiomythography: Secret Poetry and Hidden Angers |  East Gallery Installation ViewThinh Nguyen Art in America, 2014 Biomythography: Secret Poetry and Hidden Angers |  East Gallery Installation ViewBiomythography: Secret Poetry and Hidden Angers |
 East Gallery Installation ViewMonica Sandoval Good Things Come in Small Packages, 2014 Biomythography: Secret Poetry and Hidden Angers |  East Gallery Installation ViewKenyatta A. C. Hinkle The Kentifrican Transmigrant aka The things she carried Garment on loan from the Kentifrican Museum of Culture Biomythography: Secret Poetry and Hidden Angers |  East Gallery Installation ViewKenyatta A. C. Hinkle The Kentifrican Transmigrant aka The things she carried Garment on loan from the Kentifrican Museum of Culture, Detail Biomythography: Secret Poetry and Hidden Angers |
 East Gallery Installation View |  East Gallery Installation ViewDan Taulapapa McMullin 100 Tiki Notes, 2014 Biomythography: Secret Poetry and Hidden Angers |  East Gallery Installation ViewBiomythography: Secret Poetry and Hidden Angers |
 East Gallery Installation ViewJuliana Paciulli In Spite of Their Defeat, 2012 Biomythography: Secret Poetry and Hidden Angers |  East Gallery Installation ViewRachelle Rojany The Beginning of Religious Feeling, 2013 Biomythography: Secret Poetry and Hidden Angers |  East Display AreaRachelle Rojany Throne for a Saint, 2014 Biomythography: Secret Poetry and Hidden Angers |
Biomythography:
Secret Poetry & Hidden Angers
Peggy Phelps Gallery, Claremont Graduate University
Installation Images
Artist Include: Zenia Baltagi, Crystal Z. Campbell, Chris Christion, Abdul Mazid, Glynnis Reed, Monica Sandoval, and Jessica Wimbley.
Peggy Phelps Installation Images
 Peggy Phelps Gallery InstallationBiomythography: Secret Poetry and Hidden Angers |  Peggy Phelps Gallery InstallationBiomythography: Secret Poetry and Hidden Angers Chris Christion The Right of Chastisement: Punish the Body and Correct the Soul, 2014 |  Peggy Phelps Gallery InstallationBiomythography: Secret Poetry and Hidden Angers |
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 Peggy Phelps Gallery InstallationBiomythography: Secret Poetry and Hidden Angers |  Peggy Phelps Gallery InstallationBiomythography: Secret Poetry and Hidden Angers |  Peggy Phelps Gallery InstallationZenia Baltagi إحياء Ehya’a Path to Wreckage, 2014 Detail Biomythography: Secret Poetry and Hidden Angers |
 Peggy Phelps Gallery InstallationZenia Baltagi إحياء Ehya’a Path to Wreckage, 2014 Detail Biomythography: Secret Poetry and Hidden Angers |  Peggy Phelps Gallery InstallationBiomythography: Secret Poetry and Hidden Angers |  Peggy Phelps Gallery InstallationAbdul Mazid Flight School, 2013 Biomythography: Secret Poetry and Hidden Angers |
 Peggy Phelps Gallery InstallationCrystal Z. Campbell Witness (05:07 minutes), 2010-2011 Biomythography: Secret Poetry and Hidden Angers |  Peggy Phelps Gallery InstallationMonica Sandoval I'm Pretty, 2013 Biomythography: Secret Poetry and Hidden Angers |  Peggy Phelps Gallery InstallationGlynnis Reed No One Else, 2011 24" x 36" Digital Photo Collage, Archival Pigment Print |
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